244 Days with the Fuji X-T2

During this review I will talk about the fuji x-t2 Samyang lens review and show plenty of images I have shot

If you told me this time last year I would no longer be lumping around my 21kg camera bag full of Canon gear, I would have most likely have laughed at you. Thanks to a loan of the Fuji X-T2 over a long weekend in September 2016 and a promise I would not be disappointed, here I am now with my second blog about the camera. You will notice a few things with my blogs….. I am rubbish at writing (cheers dyslexia)…. I dont like writing a lot…. And I do not write blogs very often.

 It has been 244 days since I got my Fuji and had sold all My Full frame Dslr gear and still to this day I do not miss it in the slightest. The only thing I miss is the lens selection that I did have, but that is only due to me having not built up my collection of Fuji lens yet, they are getting there now though.

I have used the camera primarily for Landscapes, cityscapes, seascapes and night sky shots. I have been using it out in all elements and it has not given me any issues. I have had it out in the rain and high winds of the Peak district in the middle of winter and it keeps on going fine. The camera has even been knocked about while using it and I have still not noticed any scratches on it yet.

The best user functions on the camera for me have to be the very responsive Live view, viewfinder and the tilt screen. Next up has to be the dual slot sd then it has to be the Focus peaking. This I have found to work best for me in  low red. It would appear that you can get the focus most accurate with that

My X-T2 Loves having a photo taken in the local environment as you can see below

Padley Gorge Febuary 2017… Raining
Holme Pierrepont Hall, Nottingham. Febuary 2017. Hiding away from the rain.
Holme Pierrepont Hall, Nottingham. Febuary 2017. Raining
Torside Reservoir, Peak District, March 2017. Nice and sunny
MamTor. Peak district. March 2017. Very very windy and raining

Here are a few of the images that were shot at the locations above.

These were all shot using the Fuji 10-24mm Lens. In my opinion if you are going to be going out to shoot a lot of landscapes then make the investment, it is reliable, sharp and most often found on the front of my camera.

Fuji 10-24 mm @10mm, iso 100, f/11 and 1/8th sec. Shot with a Formatt Hitech Filters Firecrest .9 (3 stop) soft grad on the older 100mm
Fuji 10-24 mm @11mm, iso 100, f/8 and 0.5 sec. Using the with the Formatt Hitech Filters 0.6 soft grad Firecrest
Fuji 10-24 mm @10mm, iso 100, f/9 and 30 sec with Format 10 stop Firecrest and 3 stop soft grad resin filter
Fuji 10-24mm @10mm, iso 100, f/8 and 1/3 sec. Also using the Formatt Hitech Filters .9 resin nd and .6 soft grad


3rd party lens

I also mentioned earlier that I shoot other subjects too. I like to shoot a lot of night skies and architecture.

For this style of shooting I have found the Samyang 12 mm f/2 lens to again be worth every penny I spent on it.

As you can see on the below image, edge to edge sharpness and the colour that flows through the shot makes it a great wide angle lens that is not going to cost you a fortune. This lens is always in my bag and normally comes out at night.

Samyang 12mm at f/8 iso 100 and 15 sec exposure

My Masters uni shooting

For part of my Masters studies work I am shooting some odd subjects that you can read about else where on my. For this it involves a lot of studio light and a nice wide angle lens for the job. Luckily Samyang have just launched the Fuji fit tilt shift lens that is now next on my list to add to the collection

RAF Colitishall with the 10-24mm lens
RAF Colitishall with the 10-24mm lens
RAF Colitishall with the 10-24mm lens

I like to shoot a lot, but who does not. I also like to take my time, creating work for me is not about taking as many photos as possible, it is about getting the right one. That is what I like about the Fuji, it is is small and discrete but still produces that image you need. I have found that people dont notice you with it as much. Having Just shot a local festival in Norfolk where I used the Canon 5dmkIII and the Pentax 645z last year, if I am completely honest I was a little interested and also worried about how well the camera would perform with fast moving subjects in varying lighting conditions

So next stop was the Norfolk and Norwich Festival

For this I had a selection of lens but I found I was mostly using the 16-55mm and the 100-400mm as this was covering most of what I was needing to shoot.

I found the camera to be responsive with keeping up with the action and when I needed it to take a image it was ready. The nicest part of the shooting for me has to be the detail and the colour that is captured in each shot

100-400mm lens @243mm. iso 500. f/5.6 and 1/1600th sec
35mm lens. iso 200. f/1.8 and 1/2500th sec
100-400mm lens @115mm. iso 200. f/4.6 and 1/640th sec
16-55mm lens @53mm. iso 100. f/4 and 1/640th sec
16-55mm lens @16mm. iso 640. f/4 and 1/2000th sec
10-24mm lens @10mm. iso 250. f/6.4 and 1/160th sec

Fast things.

Raf Marham and Raf Conninsby

A good way to play with lens is to head to the nearest MOD airfield and have a session with the lens there. Fast yet, lots of noise and  a great subject to shoot. It was after shooting here that I realised that I was going to have to think a bit more about how the Auto focus would work at its best.

Fuji 100-400mm @ 243mm, iso 250, f/5.6 and 1/1000th sec
Fuji 100-400mm @ 158mm, iso 400, f/5.6 and 1/1600th sec
Fuji 100-400mm @ 400mm, iso 250, f/6.4 and 1/800th sec
Fuji 100-400mm @ 153mm, iso 400, f/6.4 and 1/1250th sec

British Super Bikes

The next stop to talk about was the British super bikes free practice at Snetterton Race circuit

For this I took the Fuji 100-400mm lens

For this session it was going to be a challenge. It was a very nice warm day but the wind was blowing a good one all day. To the point that it was bowing you about when trying to pan. Having now had a good mess about with the focus settings on the camera, I concluded that best for me to shoot with the lens were the focus set on Af-C and then set on zone 5 with single point focusing being the way I got the best results. And if I am honest I also found that  with the burst rate on CL it was more than adequate for what I needed

Fuji 100-400 handheld at 132mm.  Iso100. f/8 and 1/250th sec
Fuji 100-400 handheld at 148mm.  Iso100. f/8 and 1/320th sec
Fuji 100-400 handheld at 301mm.  Iso100. f/7.1 and 1/320th sec
Fuji 100-400 handheld at 400mm.  Iso100. f/8 and 1/320th sec
Fuji 100-400 handheld at 400mm.  Iso100. f/8 and 1/320th sec
Fuji 100-400 handheld at 176mm.  Iso100. f/4.8 and 1/320th sec
Fuji 100-400 handheld at 400mm.  Iso100. f/7.1 and 1/500th sec
Fuji 100-400 handheld at 124mm.  Iso100. f/4.6 and 1/400th sec
Fuji 100-400 handheld at 138mm.  Iso100. f/7.1 and 1/500th sec
Fuji 100-400 handheld at 312mm.  Iso100. f/5.2 and 1/500th sec

Swapping over to the Fuji X-T2

Back in early September I borrowed my friends Fuji X-T2 and a few lens to see what all the fuss was about. I knew how nice the colour came through in their images as I had got myself an X30 for a family holiday in 2015, so I had been keeping a careful eye on what they were manufacturing since then.

Having shot Canon since 2009 and all my equipment being set up for that I did not think that after a weekend of playing with the XT2  I would find myself putting all the Canon gear up for sale just a few weeks later. I even had a 5d MK4 sat there waiting for me to buy and collect from Wex Photographic where I work, but to be honest I think after seeing how well the Auto focus and ISO performed and let’s not forget how much less the weight of the Fuji is in comparison to the Canon that order got cancelled and I found myself parting with my money for a whole new experience with the Fuji system.

2 days after it arrived and I had only had time to mess about with it in the house due to work and UNI commitments, but on the Friday I was running a workshop with the model Bernadette Lemon taking centre stage and managed to find time to take a few handheld shots with various lens. One thing I found easy to use was the Wifi and the fact that all the dials are just in the right place to allow quick use, just like they are with the Canon I had been using.

From this I instantly realised that the A/F on the camera is reliable and also not a problem to be using either .

Shot with the Fuji 14mm

Shot with the Fuji 14mm and a Bowens Light and beauty dish off frame to the left


Shot handheld with the Fuji 14mm and lit using the Westcott Icelight 2


Shot on a tripod with the Fuji 56mm @f/1.2 and lit with the Westcott Icelight 2

Next stop with the Camera was a Full Day Landscape workshop I was running with my 2 good photography mates on the Norfolk Coast with Through the lens workshops. I will hold my hand up here and say when I like to shoot landscapes I am probably like the rest of you all and like to spend plenty of time composing and thinking about the shots I am taking, quality over quantity and all that…..

We had paying customers on the session so the time aspect was not going to happen and since that session time nor the weather has been on my side to get out and have a real play about and shoot my favourite style of photography. All the shots I took were with the Fuji 10-24mm and using a selection of different Formatt Hitech filters.

The thing I really struggled with on these shots was getting the focus pin sharp so that when I go into the shots in Photoshop and zoom into 100% the focus is bang on. Some were really good and I was happy with, some were just ok and below what I would be happy to print off. But hey I have just changed camera system completely and I reckon it will just take a bit of getting used to.


Shot using the Formatt Hitech Filters .6 resin grad


Shot using the Formatt Hitech Filters 3.0 firecrest nd to slow down the water and a .6 resin grad


Shot using the Formatt Hitech Filters .6 resin grad


Shot using the Formatt Hitech Filters 3.0 firecrest nd to slow down the clouds .6 resin grad


Shot using the Formatt Hitech Filters 3.0 firecrest nd to slow down the clouds .6 resin grad


Shot using the Formatt Hitech Filters .6 resin grad

If I am honest I will say when I got home I was a little worried about how well the focusing had performed, I was having a few doubts about what I had done buy moving over to Fuji. But in for a penny and in for a pound as they say. The fact that I had got images as sharp as I like did reassure me a little that the camera is going to do what I wanted it to do, so all I needed was a little more time to go out and shoot some more and get up to scratch with how I want the images to look.

I  just purchased the fully manual Samyang 12mm f/2 lens for shooting astronomy images over the winter and landscapes and I am a bit of a wide angle junky so this lens will sit well in the kit bag. I look after my gear so the fact that it is not weather sealed is not an issue for me in the slightest. So what is the 1st thing you do after 12 hrs at work, you take the lens and photograph anything that will let you. In this case it was the dog that I had just woken up. I used the Icelight2 in my left hand to illuminate her and held the camera and focused the shot with my right hand and captured this.


Samyang 12mm, @f/2, 1/200th sec, iso 400 and handheld

My next trip out was scuppered by even more rain so I opted for a day of photographing church interiors instead of some nice landscapes with the autumn colours. This time round rather than just relying on my eye for the focus being spot on I used focus peaking, I highly recommend this to anybody that uses manual focus a lot. I set it to red high and away I went with photos just how I like them.


Shot with the Samyang 12mm at f/8 on a tripod


Shot with the Samyang 12mm at f/8 on a tripod


Shot with the Samyang 12mm at f/11 on a tripod

So for me did I make the right choice…….. Well, one week after the camera getting delivered I could not be happier. You just have to remember….Like any new bit of equipment or software we use for work, you have to get used to it and this camera is no exception to that. You can’t just expect to pick it up and get the results in an instant. Reading the manual (something I have never done before) was a great help to me even though I am dyslexic.

Customising the Q menu is so straightforward.

Using the wifi is easy and as I shoot a lot of events over the year and I can see this will be very handy for myself and my clients with social media.

The flip out screen is well designed and handy, you dont have to get yourself into funny position to see the screen and that is a blessing.

The dual slot sd cover is nice and rigid and the rest of the camera feels like it is built like a tank.

But the 2 most important things I like the most about the camera are the Quality of the images you can produce if you put your mind to it and the weight of the camera system in comparison to my old 5dmk3.

And I would just like to say thank you to the few mates who I have pestered quite a bit over the last few weeks with some questions being very daft but needing to be asked and answered… So if anybody reading this has any questions you would like to know (remember it is just my opinion) then feel free to send me them over



Joe Ringer Band at Potters Leisure resort, Norfolk.

Getting a nice phone call while at a shoot asking if I could shoot a very known local band that can blast out some rather cool music. The following words taken from their website, this is what they have to say about themselves. So it was off to the  Potters Resort in Hopton Norfolk for a night of top entertainment.

‘We’re not your run-of-the-mill wedding band ‒ our set is built around the songs YOU love and put together in such a way to guarantee your guests will be up and dancing all night. We play all the party hits from the 1960’s through to today’s chart toppers, from The Beatles and Stevie Wonder to Bruno Mars and Daft Punk. We keep the band’s repertoire up to date, with our sets always featuring new songs by current artists’ 

An absolute pleasure to be shooting and also getting to listed to the amazing set-up on the night, so here are a few images for you to have a look over

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Lindsey Anne at LuLu Vintage

I had been chatting on-line to a lady called Carmen, who I had not actually met but we both knew a lot about each others creative talent.

So when time finally allowed us to hook up and get some shooting done in the Norwich Lanes we jumped at the chance.

So Carmen of Hyde Johnson Couture arranged the model called Lindsey Anne to arrive for the shoot and I rocked up and did my thing with the camera and lights at the location LuLu Vintage on St Benedict’s St in the heart of Norwich. While the model had her hair and make up styled by Carmen so it worked with the dresses also sorted by Carmen, I set up the lighting and had a look at how we could manage to get a few different shots in the space we had available to us.

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AWDC Comp safari race. Norfolk 2015

Spring farm just outside Taverham in Norfolk hosted this leg of the AWDC Comp safari race.. Jesus christ it was fun to shoot. I came away with mud in my hair and all over my face. Loads of fun and cant wait to do something like this again. Cheers for the heads up about this one Adi 🙂

What is compsafari?

Comp-safari ,also known as cross country motorsport is a form of offroad motorsport using mostly but not entirely 4 wheel drive vehicles. The events as they are called are timed against the clock and consist of a number of ‘runs’ anywhere from 4 to 10 runs is common, it depends on the length of the course. Each ‘run’ is normally over 2 miles long and contains features such as jumps, water splashes, logs, narrow gateposts, going through barns etc.
The events added up over a season form a championship with many different classes depending on type of vehicle, engine size, suspension type etc. Although the costs involved of building some of the vehicles may not be that high, the largest expense is in repairs from the harsh terrain. The speeds of some of the vehicles using varied v8 engines and modified components can be awesome.

Each vehicle is identified by a number which is displayed on the windscreen and to the middle of the vehicle as high as possible.The allocated number stays with the vehicle for the year and usually corresponds to where the person finished in the championship the previous year.

More about the event can be found right here

The full album with over 300 images from the day can be seen on my Facebook photography page


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Caroline Elyssia-Fire Performance

I was asked if I could help out on a video shoot involving a fire performer in Wensum Park in Norwich. I thought why the hell not, something different to do on a Sunday night In good old Norfolk… Luckily I took along my Elinchrom lighting gear and power packs as this provided some great fill in light and allowed us to up the shutter speeds and keep the iso down nicely.. Obviously there are not a lot of shots of the performances as they are restricted to how much fire work they can do, it was a public park and it was not my shoot, so I just picked up the camera when I was finished sorting out the lighting for each bit of filming.

The lighting set-up I went for was a beauty dish to the left of the model with a modelling light turned on and a spill kill to the right of the model with the modelling light on again. This provided just enough light for what we required.

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Brantham, Suffolk Industrial Sunrises

Decided to pay another visit to this site again, but this time to shoot the sunrise from on top of the roof, so that meant getting out of bed at 2am to get to the site from Norfolk to the site in Suffolk for 4am.. When we got there we were soon to discover that the main building had again been set alight in the last few weeks. Such a shame as it wont be long now till it has to be pulled down on health and safety fears. Having visited the site to shoot a short video only 2 months previously I was shocked at how more trashed the site had become, so I feel that maybe I should pop back for just one more visit, there is something cool about how you 1st get to the site and it is all quiet, and then slowly the freight trains start appearing 1 by 1, and then the passenger trains start hurtling past. I often wonder how

For the sunrise shots it was another chance to have a mess around with the Cokin Grad set that I had got to have a little mess about with, and also seem to be liking a lot as well. Think it will be a case of investing in the Lee kit soon.

After having shot the sunrise we decided to go and have a little look around and see what light was bouncing around in the buildings, again it was a great chance to mess about with the Sigma 35mm A lens._MG_4487 _MG_4501 _MG_4503 _MG_4504 _MG_4508 _MG_4511 _MG_4516 _MG_4519 _MG_4520 _MG_4522 _MG_4523 _MG_4527 _MG_4528


Old Cottage. Helhoughton, Norfolk.

Found this site while on the way to visit RAF west Raynham with my photography assistant last year, completely forgot all about it until the other day, and then decoded to swing by it and take a closer look.

Unfortunately due to the nature of the property there is not a lot to go on other than it would seem that the owner had something to do with the local estate and he was an active person within the local community judging by what few possessions had been left behind.

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RAF Sculthorpe. Norfolk. 2012-2015

Thought I would post up all my images from this site I have taken over the years, you will then see why It is one of my favorite sites to jolly around. Nothing like a nice relaxed explore where you don’t have to worry about getting busted. For me the main attraction is the tell tale signs of both the UK and American services sitting side by side and you can still see some of that in a lot of the images.

History Thanks wiki

World War Two

RAF Sculthorpe was built as the second satellite airfield of RAF West Raynham a few miles to the south, the first being RAF Great Massingham. Work was begun in the spring of 1942 and the airfield was laid out as a standard RAF heavy bomber airfield with concrete runways, dispersals site, mess facilities and accommodation. Much of the construction work was completed by Irish labour working for the construction company Bovis.

As work was drawing to a close in May 1943 the first squadrons started to arrive, the first being 342 (Lorraine) Squadron of the Free French Air Force within 2 Group from RAF West Raynham. This squadron operated two flights of the Douglas Boston aircraft along with some Douglas Havoc aircraft for training, 342 Squadron stayed until 19 July 1943 when they moved to RAF Great Massingham.

On 20 July 1943 the Royal New Zealand Air Force and Royal Australian Air Force moved in with No. 487 Squadron RNZAF and No. 464 Squadron RAAF taking up residence with their Lockheed Ventura aircraft having moved from RAF Methwold before converting at Sculthorpe onto the De Havilland Mosquito. On 20 September 1943 21 Squadron moved in from RAF Oulton, also with Mosquitos to form the Sculthorpe Wing (140 Wing). The Wing stayed at Sculthorpe completing more than 100 missions before departing for RAF Hunsdon on 31 December 1943.

In January 1944 100 Group Royal Air Force No. 214 Squadron RAF moved in with Boeing Fortress aircraft for use in electronic warfare support of Bomber Command to be joined by crews from the USAAF 96th Bomb Group from RAF Snetterton Heath, known at Sculthorpe and thereafter as the 803rd Bomb Squadron of the USAAF. In April 1944 the 803rd and 214 Squadron departed for RAF Oulton leaving Sculthorpe empty for its redevelopment as a Very Heavy Bomber Base with the work not being completed until the spring of 1946.

Cold War[edit]


North American B-45A-1-NA Tornado Serial 48-010 of 86th Bomb Squadron at RAF Alconbury. This aircraft is now on display at the Museum of the United States Air Force, Wright-Patterson AFB, Ohio.

Douglas B-66B-DL Destroyer Serial 55-0309 of the 84th Bomb Squadron.

KB-50J of the 420th Air Refueling Squadron refueling 2 Republic F-105D’s from the 36th TFW, Bitburg ABWest Germany.

Sculthorpe was refurbished for USAF use during the Berlin Crisis in 1949 and then later, in 1952, it became home for the 49th Air Division (Operational) and the 47th Bombardment Wing, who were to stay for a decade. The 49th Air Division maintained operational control of the 47th Bomb WG and the 20th Fighter-Bomber Wing which provided tactical nuclear weapons support to the Supreme Allied Commander Europe (SACEUR). Later the 81st Fighter-Bomber Wing was provided a nuclear capability and assigned to the operational control of the 49th Air Division.

The Soviet Union‘s enormous conventional force in eastern Europe posed a major problem for NATO due to the Soviets maintaining high personnel levels after World War II when most of the American and British forces had demobilized.

To counter this Soviet threat to western Europe, NATO decided to expand their tactical nuclear force by introducing the North American B-45 Tornado to the UK. The US Tactical Air Command had about 100 of these four-engined jet bombers, each capable of dropping five tactical nuclear bombs. In the summer of 1952, the Pentagon decided to deploy the 47th Bomb Wing to Sculthorpe from Langley Air Force Base, Virginia. The movement of the 49th AD, 47 Bomb Wg and the 20th FB WG was the first unit deployment since World War II.

The squadrons of the 47th Bomb WG were:

Due to a shortage of space at Sculthorpe, the 86th BS operated from RAF Alconbury as a detachment of the 47th. In addition to the B-45 squadrons at Sculthorpe, the 47th’s sister wing, the 20th Fighter-Bomber Wing with the nuclear capable North American F-84G “Thunderjet” were transferred to RAF Wethersfield in Essex.

From 1954 to 1958, the 19th Tactical Reconnaissance Squadron also flew the reconnaissance version of the B-45 known as the RB-45. The 19th TRS was assigned to the 47th Bomb Wing from May 1954 to December 1958. When the 19th began to re-equip with RB-66’s during 1957, its RB-45’s were transferred to other squadrons of the 47th Bomb Wing.

By 1957, carrying 10,000 personnel it was the biggest USAFE base in Europe. In May 1958, the re-equipment of the 47th Bombardment Wing began and Douglas B-66 Destroyers began to replace the B-45s. With this equipment change, the 47th’s squadrons was redesignated Bombardment Squadron (Tactical).


During 1960–1962 the 47th also performed air refueling missions assigning KB-50J tankers to the 420th Air Refueling Squadron from 15 March 1960 to 22 June 1962. The KB-50s were specially equipped with two General Electric J47 turbojet engines that enabled the tankers to match the speed of the faster jet fighters during refueling; however most of the KB-50s were more than fifteen years old and were too slow to refuel the faster tactical jets of USAFE. The 420th ARS was inactivated on 25 March 1964.

In 1962 Project Clearwater halted large scale rotational bomber deployments to Britain with Sculthorpe, along with RAF Fairford, RAF Chelveston, and RAF Greenham Common, being turned over to USAFE for tactical air use. As a result, the 47th Bomb Wing was inactivated on 22 June 1962. A number of the aircraft were reassigned to the 42nd TRS, 10th Tactical Reconnaissance Wing at RAF Chelveston and modified with the Electronic Counter-Measures tail system. With the inactivation of the 47th, Sculthorpe was put under the command of the 7375th Combat Support Group, the 7375th was later replaced by the Detachment 1, 48th Tactical Fighter Wing .

In spring 1982 units from RAF Coltishall moved to Sculthorpe while the runway was resurfaced

During the spring and summer of 1983, units of the 48th Tactical Fighter Wing deployed to RAF Sculthorpe because their home station, RAF Lakenheath was having its runway resurfaced.

During the summer of 1984 the F-4E and F-4G squadrons from Spangdahlem AB,West Germany operated from RAF Sculthorpe to allow runway re-surfacing at Spangdahlen to take place.

During most of 1988 and part of 1989, deploying C-130 units from the 463rd TAW (Dyess AFB, TX), the 314th TAW (Little Rock AFB, AR), and the 317th TAW (Pope AFB, NC) were forced to operate from RAF Sculthorpe due to runway resurfacing at RAF Mildenhall.

In August 1989 the TR-1A squadron from RAF Alconbury operated from RAF Sculthorpe whilst Alconbury runway was resurfaced.

Present day

The airfield became inactive at the end of the Cold War. During the mid 1990s the entire technical and domestic site was sold to The Welbeck Estate Group by Defence Estates. The domestic married quarter site comprised a sizeable number of single storey ‘tobacco houses’. The housing estate was renamed ‘Wicken Village’ and following refurbishment the houses were sold. The remaining technical site including barrack blocks, PX, church, guardroom, gymnasium, community centres and extensive storage and industrial units were sold to a single purchaser and there is now a fledgling industrial park. The Welbeck Estate Group went on to acquire the nearby technical and married quarter estate at RAF West Raynham which formed just part of 36 estates acquired from Defence Estates.

The airstrip area remains in military hands, officially as an army helicopter training area, and there are exercises about twice a year. Demolition work on the hangars began in March 2009.

The only buildings that remain are: The Control Tower, The Fire Station buildings (Next to the Control Tower) & a small half moon concrete shelter (Now used by a farmer for machinery & equipment storage – there are up to 2000 cows on the grass areas)


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My wife_MG_9829

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2 year old explorerIMG_9195

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Our escort of the site from this tripIMG_9215

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Graduation Fashion Show

It was a great privilege to be asked if I could attend on behalf of Norwich University of Arts the Graduation show at The old Truman Brewery In london. So at 9am it was time to jump on the bus from Sunny Norwich, Norfolk and get driven down to the big smoke with all of my camera gear. This event I was unaware of as I had not had a keen interest in Fashion photography until I had shot at the Retailers fashion show for the Norwich fashion week, and I have to say I was bitten by the bug for it. This time it was all the hustle bustle of London and all the comings and goings, but all the same the experience was amazing and loads of fun.

The show being sponsored by big names such as Georgel’oreal, and bourjois so it was a very big deal for the students who attended the show with their masterpieces on display.

The names of the students who showed of their work on the catwalk were:

Yu Mio. Gina Vettese. Naomi Cunningham. Sapphire Plant. Kirsty McKendrick. Sami Hogg. Samantha Fynes. Madison Rose Clay. Victoria Miller. Amy Bull. Diego Preciado. Jessica Clarke. Robyn Moynes. Richard Whitehead. Caitlin Seale. Kirsty Palmer. Laura Rose Samson. Kathryn Bellison

The show saw a completely full house for the event and as soon as that first person walked out all you could hear was the clicking of the endless shutters in the cameras.

I could not decide if I wanted to show all the images or not but thought sod it and decided to post them all on here so you could enjoy them, but do be warned there is over 80 images in this blog.

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